2018

Showing posts with label 2018. Show all posts
Showing posts with label 2018. Show all posts

Sunday, February 4, 2018

7 Tips to Enhance Mobile Interactions



The quality of mobile design can be measured simply. When the process of usage is so smooth and effortless that people don’t even think about it, it is the sign of the professional design work. On the other hand, if there are some problems in the interaction system, users will definitely notice them and won’t be pleased about it.
Mobile apps are expected to be clear and easy to operate so that they could be effectively used anytime and anyplace. Designers’ task is to create an intuitive interface which will guide users within the app helping them operate its functionality without problems. In this article, we describe the essential aspects of the effective mobile interaction system along with the tips helping designers to create intuitive design.
Navigation in UI

Increase learnability

Every designer strives at creating a unique product with original interactions and navigation systems. Such an approach allows standing out a crowd and being noticeable on the market. However, creating absolutely new environment designers have to think how users will adjust to it.
If the interaction system of a mobile application has no logic and sequence or it doesn’t respond to needs of the target audience, it may be frustrating and annoying. That condition is critical for UX, so people will simply give up on trying to decipher an app and quit it.
To avoid this kind of outcome, designers need to care about learnability of the interactive elements. Learnability stands for how easy tasks can be attained during the first usage and how quickly users learn from the previous experience. To increase learnability, designers need to keep it simple and clear helping quickly adjust to it. Also, the system should be consistent and logical so that users could identify the repeating patterns and use a mobile app intuitively.

Consider multiple holds

We all are different in many ways, even how we hold smartphones. The way of holding smartphones depends on various factors including the situation and conditions in which the app is used as well as the task we need to accomplish.
There are three common types of holding a mobile. The first is when we take it with one hand and navigate it with a thumb. Another way is to hold a smartphone in one hand and interact with it with the forefinger of the other hand. Also, the type which is common for chatting people is holding a phone in two hands using both thumbs for actions. Of course, there are other types of holds but these three are thought to be the most common.
Source
Source
Considering this fact, designers have to figure out if the layout elements placed effectively for different holds. One-handed hold requires special attention since it has the most limited space of reach. To make the interaction process within a mobile app effortless it may be a good idea to put the key components at the bottom of the screen so that users would be able to reach tap areas easily. In addition, the interactive elements should be big enough so there would be no chance for a mistap.
Upper App

Apply recognition patterns

When a new app can be used intuitively it means that the designer did a good job. To provide intuitive interactions, UI design has to contain recognition patterns. They are the elements which users are already familiar with and those which give slight hints on how an app works. The thing is that using an application we are expecting to see certain things associated with the definite kind of product. For example, working with e-commerce apps we are used to seeing cart icons along with CTA buttons “Buy”. Familiar elements in a new app make people feel more confident in their actions.
Users become accustomed to things quickly and their absence makes them feel uncomfortable. That’s why, if you plan to use custom interactive elements, don’t forget to add some standard components. This way a new application won’t overwhelm with an absolutely unfamiliar environment and will help to learn quickly.
Jewellery Ecommerce App

Make a clean UI

A big pitfall of mobile UI design is small screens of the devices. Designers have to figure out how to include all content in a short space without turning user interface into clutter. Clean UI design helps effectively interact with a product since all the core elements can be easily reached.
To create neat mobile UI it is recommended to use icons as interactive components. Copy elements often can be too big for the small screen, so icons are a sufficient alternative. They can explain a function visualizing it with simple shapes and it helps to save the space on the screen. However, during usability testing, it should be thoroughly checked if the icons are perceived appropriately and transfer the right message.

Decrease the number of actions

Probably, many of us have the experience of using an annoying mobile app which made us take a long way before we could finally accomplish the task. It may often be caused by ineffective interaction system which employs too many actions and the unnecessary functionality.
Mobile apps usually serve as problem-solving assistants, so it’s vital for them to be designed ergonomically. It means that designers have to apply only core functional elements which will get the users right to the point they needed. Minimum of actions won’t make your product look primitive. It will help a mobile app be effective and pleasing in usage. Remember that people mostly rate the quality of an application not by extraordinary features but how helpful it is.
Photo App

Add game mechanics

Based on the facts described above, we can say that an effective mobile interaction system should be simple and clear to use so that it could be operated without problems.
However, simplifying the interface it’s vital not make it boring. Apps which seem ordinary have fewer chances to gain users’ attention. That’s why it’s important to bring some emotional aspects into applications that look standard at the first glance.
To make the process interesting and catchy, it may be a good idea to use gamification. It is the technique of exerting game mechanics into the non-game environment like mobile applications. Various challenges and leaderboards along with the awards and stickers motivate users to interact with a product more and come back to it constantly.
What’s more, implementing a game mechanic called a user journey is an effective way to create clear layout and transitions. A journey is user’s progression stages at the time of usage. Designers create UX that way so that people could go step-by-step through the various features which gradually change depending on needs of the target audience. An approach helps to avoid problems with incomprehensible interactions and functions.
Last but not least, gamification adds the element of fun. Users enjoy entertainment, challenges, and competitive spirit similar to video games, so they are encouraged to go back. People always need some kind of recreational activity so that they could escape from everyday routine for a bit. By adding the fun element into a casual application, you help to reduce some stress and relax for a moment.
Toonie Alarm

Don’t forget about testing

Mobile interaction design aims at creating a user-friendly product which will be pleasant to use under different circumstances. But how can a designer define if an app is usable enough and distinguish possible problems in UX? This is when usability testing comes into play.
Usability testing is an essential stage in creating mobile apps helping to evaluate it by testing on the potential audience. It is usually conducted at the UX building stage before a project goes to the development team so that inefficient solutions could be changed easier and faster.
Various usability testing methods allow identifying problems and bugs and quickly eliminate them. This way designers can improve all the aspects of UX ensuring user satisfaction.
So, before you deliver a project to the development team remember to handle testing. Test it by yourself, on your colleagues, on the potential users and then you’ll get the desired outcome.
Urban Sketcher App
A simple mobile interaction system is not that easy to create. It requires hard work, concentration and lots of practice before you receive sufficient results. Stay tuned!

Wednesday, January 31, 2018

17 Top Rated Career Courses To Help You Get The Job You Want



stockphoto.com
Note: Some of these courses are free, but if you decide to purchase anything (using the links below) you’ll be financially supporting the Personal Growth publication. Thanks for your support.

Microsoft Excel — Excel from Beginner to Advanced

This course combines 4 different courses. As you participate in each of the courses you will master Excel tools that will clear away the pain of stumbling through your daily tasks. You will start with the basics, building a solid foundation that will give you further knowledge as you progress into intermediate and advanced level topics.

Career Success Specialization

This series of courses will help you build, develop and hone the essential skills needed to improve your employability and advancement in today’s dynamic workforce. The Specialization concludes with a project that will give you the opportunity to integrate and apply the skills you have gained throughout the courses to your individual and organizational needs.

Become a Product Manager | Learn the Skills & Get the Job

In this course you’ll learn the skills that make up the entire Product Management job and process: from ideation to market research, to UX wireframing to prototyping, technology, metrics, and finally to building the product with user stories, project management, scoping, and leadership.

(2018) Career Hacking: Resume, LinkedIn, Interviewing +More

This comprehensive course is based on the innovative strategies of the career management offices at the University of California at Berkeley. Each module leverages cutting-edge research from top-flight organizations like Harvard Business School, the McKinsey Consulting Group, and Duke University.

Git a Web Developer Job: Mastering the Modern Workflow

You already understand the basics of HTML and CSS, but you don’t necessarily feel qualified for the web developer jobs you want. This course will help bridge that gap. You’ll learn the modern skill-set that companies are looking for in developers.

PMP Exam Prep: Earn Your PMP Certification

This course provides 35-contact hours of project management education and is taught by project management author and expert Joseph Phillips. If you complete all the videos and interactive sessions, you can claim these educational hours for your PMP exam application.

Job Interview Skills Training Course

Whether you are completely new to the job market, re-entering the workforce or looking to advance your career, this course will empower you with the knowledge and skills necessary to dazzle during your next interview.

Project Management: The Basics for Success

This course combines the essential elements of Project Management and Team Leadership into one course. Through class engagement and reflection, you will acquire further understanding of the responsibilities of leadership and become better prepared to apply this knowledge to the project environment.

Business Analysis Fundamentals

Learn the core concepts of business analysis to land a Business Analysis job. If you are an aspiring Business Analyst or one that is new to the role, this course can help lay the foundation you will build all future knowledge and experience on top of.

Ultimate Guide to Microsoft PowerPoint for All Levels

This course is built so that you can immediately use PowerPoint once you finish the first section. It contains all the basic elements you need to build and present your presentation. Following that section, each section will get progressively harder until you become an expert.

The Complete Oracle SQL Certification Course

Data has become the hottest topic in technology and a company’s biggest asset is their data. Oracle is the most popular relational database in the world. This course will prepare you to be job-ready in just 1 month of study and practice. You don’t need any prior experience in programming.

P.O.W.E.R Resume System: Proven system to get job interviews

Writing a great resume for yourself will be the stepping stone that lands you a job interview and you will want one that sets you apart from the rest. In this course you will learn the tools and techniques which will enable you to create a master piece resume for yourself.

Microsoft Access 2016 Master Class: Beginner to Advanced

Understand how Access is constructed and how to use the major objects within it. Be confident in moving around within Access and be able to build effective database solutions for their unique data needs.

The Complete Job, Interview, Resume/LinkedIn & Network Guide

This comprehensive complete career course is 12 hours, contains more than 250 lectures, 67 easy to complete exercises and 29 templates/other downloads to help you get your dream job.

Windows Server 2012 System Administration: Get an IT Job!

If you want to get a Help Desk, Systems Admin, IT Support Specialist, or other IT related job, this is the course you have been looking for. This course will give you the critical skills necessary to succeed in the Information Technology field.

English for Career Development

This course is designed for non-native English speakers who are interested in advancing their careers in the global marketplace. In this course, you will learn about the job search, application, and interview process in the United States, while comparing and contrasting the same process in your home country.

Create Your Dream Career

In this course you’ll learn how play can (and should) inform your career choice and steer you towards a career you love. You’ll explore how personality and lifestyle can guide you towards the career that’s right for you.
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Monday, January 15, 2018

Forget Goals, Be Present



We tend to think of life in terms of accomplishments, rather than experiences. But life is meant to be live with the “goal” of being present in the moment.
This is how to live a meaningful life. Not by having goals and doing things merely to reach those goals, but to live in awareness.
For the most part, society is distracted from this principle. Society tries to derive meaning through status, material wealth, and arbitrary goals.
Take the pressure off. Forget about your goals and plans and just be in the moment. Let each moment guide you.
This isn’t about being undisciplined. That’s a different type of letting go. This is about not trying to control everything. It’s about allowing inner wisdom to guide you.
Goals and plans are often disrupted by reality anyway. Having a general direction makes sense, but details written in stone don’t.
To get more posts like this visit LivingWithConfidence.net and subscribe. It’s free.
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Saturday, January 13, 2018

How To Write Something That Everybody Will Remember



Good words move you.
Great words make you cry.
Perfect words stick with you forever.

I Remember My Grandfather’s Funeral..

I didn’t have any sort of connection with the man sadly. I went though, because it meant something to my Dad. I didn’t even go up to my grandfather’s body to pay last respects.
I feel horrible for that in hindsight.
Even though the whole ordeal meant nothing to me, something happened at that funeral that I’ll always remember.
Some man who wasn’t related to me in any way got up to speak about my grandfather. He started slow, but then told a funny story about a time when Mr. Kuegler played with him and his friends one afternoon.
He said they were all acting like superheroes, or something, and that my grandfather was the “bad guy” and kept trying to tie him and his friends to a chair to “defeat” them.
But my grandfather was witty.
He didn’t tie a knot at all with the ropes, but made it seem jussttt tight enough to give the boys a little resistance/belief that they actually did something to escape.
The man said that, since he was the “hulk,” he busted through the ropes every time and saved everybody else.
He said he loved those afternoons, and that my grandfather would oblige everybody and really spend some quality time making their dreams of being superheroes a reality.
As he got to the end of the story his eyes filled with tears. And then mine did. And then he didn’t say much more and sat down in his chair.
I didn’t know who that guy was — I still don’t — but I’ll always remember that story.

The Time My Article Hit The Front Page of The Huffington Post

It was 4 AM in San Francisco.
I got back at 1 AM, but I couldn’t sleep a wink.
A date I had with somebody went awry (what a great word), and I felt terrible about it. I didn’t feel understood; I felt like life wasn’t fair.
I wanted to take my brain out and throw it across the room, but sadly that would’ve killed me (making my situation even worse).
Then I thought about writing, remembering my laptop was two feet away, and I begrudgingly began typing at 4 AM.
I hit “publish” one hour later.
It went viral by the time I woke up at 9 AM, hitting the front page of the Huffington Post and everything.
Here’s that post if you wanted to read it.

How To Write Stories Others Will Remember

My friends, writing isn’t difficult.
Getting into the right mindset to create your best content of all time, however, IS.
It’s excruciatingly hard.
That’s because not only do you have to be in the right mindset to tear through a page, you also have to have something crippling happen to you.
Like the death of a loved one, or an existential crisis, or a moment where your best friend won’t even stick up for you.
All of these moments are tough. They’re brutal. They dramatically throw your world off-kilter and put your mind into some sort of “survival” mode.
If you think about it, all of these moments end in a safety net getting ripped out from under you.
You can’t replace a loved one. You can’t replace a best friend’s support. You can’t easily revert back to the comfort you felt BEFORE an existential crisis.
In short, things sort of need to happen to you in order to write something truly, truly profound.
To be clear, you can write viral articles without having a loved one pass away. You can write a best-selling book without having a loved one pass away.
I’m not saying these things need to happen to write something good.
What I’m saying is, things similar to this need to happen for you to write the best words you’ve ever put on paper.
I’ll stand by that until I die.
And if your “best” isn’t associated with any crippling event RIGHT NOW, you simply haven’t lived long enough/tried hard enough to express what you feel in these life-changing moments.
You need to try.
Not for the views, or the fans, or being remembered.
You need to try because your soul deserves to express itself.
There’s a very particular song your heart sings in moments of dramatic change — you owe it to yourself to put that feeling on paper.
It will be your finest hour, and more importantly it will help you cope in ways a conversation with a counselor, a best friend, or a parent couldn’t replicate.

How A Disney Screenwriter Created A Scene I’ll Remember Forever

One of the coolest things that ever happened to me was getting the opportunity to interview Rob Edwards, the guy who wrote Disney’s Treasure Planet and Princess and The Frog.
I interviewed him for the Huffington Post, and if the link to that story still existed, I’d put it right here.
In “Treasure Planet,” Rob wrote a scene where a cyborg chef comforts the main character and tells him, as well as he can, that he loves him.
It’s a scene I’ll never forget, and I always wanted to know the story behind it — how it was written and everything.
Rob told me it was the most difficult thing he’s ever had to write, and that he basically cried the entire time writing it.
Then he showed it to somebody and they both cried reading it.
When’s the last time something you wrote made YOU cry?
More importantly, when’s the last time you had the guts to face an emotional topic, begin writing about it, and play a game of literary chicken with your heart when you’re five seconds away from publishing it?
It’s been a long time for me personally. It’s hard to push yourself to these extremes as a creative person, but oddly enough these extremes are where we produce our best work.

Stop Being Scared Of What Everybody Is Going To Think About You

Perfect writing is often grounded in an act of defiance.
“Oh, I can’t talk about this? F*ck you.”
Exhibit A: The Declaration of Independence.
There’s a lot of things we as creatives can defy:
  • Caring about the opinions of others.
  • Our comfort zones.
  • Social norms.
Writing about something that seems taboo/is terrifying to publish can actually pull the best content we’ve ever written out of our souls.
When things get pent up, it’s only natural we have to blow off some steam at some point.
The same is true for writing. Topics that slowly eat at our soul are the ones we most need to write about. Oddly enough they’re the ones that also do the best because we’re honestly, unequivocally inspired to FINALLY write about them and let loose.
That’s a great recipe for writing something worth remembering.

The Best Thing I Ever Wrote

My best work will never be published anywhere online. It lives on the last page of a journal I filled out during an internship at Disney.
On that program I made lifelong friends, worked for the best company on the planet, and got to go to Disney whenever I wanted.
It was easily the best experience I’ve ever had.
On my last day in the airport I decided to fill out that last page. I knew I was leaving Orlando, a beautiful place filled with so much magic in places you’d never expect.
I wrote about my friends. I wrote about how I was scared to go home. I wrote about why I loved the person I was writing to.
I cried in the middle of the airport.
Don’t be afraid to show your emotions.
I waited until the last day because I knew my emotions would run me over like a bulldozer.
Be on the lookout for a writing window. Good writing can be created whenever, but perfect writing can only be created once in a blue moon.
I sat in an airport, as a man, writing in a diary.
F*ck your norms. Say that as many times as it takes. Something truly worth remembering can’t be created/shown while holding on to your comfort zone.
I hope you all experience this perfect storm one day. When it comes, give yourself to it and don’t ask any questions. It doesn’t matter what time it is, where you are, or who you’re with.
Give in to it.
You’ll be happy you did.

Thursday, January 11, 2018

Compassion Raises Us Up Above Ourself.



Photo by “My Life Through A Lens” on Unsplash
There is an appalling amount of real misery and suffering in the world. It is not far away from us. It lies at our very doors. All of us need a feeling of deep sympathy or sorrow for another who is stricken with misfortune, accompanied by the strong desire to alleviate the suffering.
Let your feelings be at hand, and feel and commiserate as soon as touched. Let your tenderest feelings come in contact with the miseries of the distressed as soon as ever they present themselves.
A feeling of their sorrows and weaknesses. A benevolence, which excludes no person, not even strangers or enemies, from its tender regards, which disdains no condescension, grudges no cost, in its labors of love! Inward pity and compassion to distressed objects, the most tender regard to persons in misery, and such compassion as is free from all hypocrisy and deceit is the need of the hour.
The heart, even more than the brain, determines you.
Real strength or weakness is closely linked with moral nature. One may have the beauty of Venus and the charms of Cleopatra, and another the figure of Adonis and still be void of “good” manners. Stand by the weak and defenseless. There is no nobler feature in anyone’s character than a determination to do this.
There is no good in a sour, misanthropic temper. None in rudeness, stiffness, and repulsiveness. None in violating the rules of good breeding.
Compassion prompts us to do good to all, to forget all national or sectional distinctions, and to aid all those who are in circumstances of poverty and want. It would be the most lovely and desirable principle on earth, and all, especially in their early years, should seek it. Nothing that a young person can gain will be so valuable as the feeling that regards all the world as one great family, and to learn early to do good to all. Be even to thy enemy in distress as kind, humane, and merciful. Let a young person have a large mental capacity, it will not weigh for much if that be all.
Compassion Heals.
All who are afflicted know how much it diminishes their sorrow to see others sympathizing with them. How sad would be a suffering world if there were none who regarded our griefs with interest or with tears! It would be miserable if every sufferer were left to bear their sorrows unpitied and alone and if all the ties of human sympathy were rudely cut at once, and people were left to suffer in solitude and unbefriended.
We owe sympathy to others because it is an effective means of contributing to their moral perfection, and because by withholding it we inflict on them a grave moral inquiry. We are tenderhearted or compassionate when we feel affection for someone else, when we look beyond our pain to see the pain of others. It not only lessens the misery of humanity but also unites humans to each other as to make them responsible for the good and comfort of one another.
While we differ in “opinions”, we should still treat each other kindly, that we should aid each other in necessity. A good thing done 3,000 years ago works now, and will work through all endless times and years. No good effort has ever been lost, or ever can be.

Wednesday, January 10, 2018

Want To Be The Best Writer On The Planet? Do These 27 Things Immediately




The amount of bad writing advice out there is astounding. People who have never published anything selling courses on how to make a career as a writer. Terribly written Medium articles telling you how to improve your prose. Marketing books from writers who not only haven’t sold many books — but their own marketing books don’t sell. All this bad advice adds up and makes a harder thing — an already difficult industry to navigate — even harder.
Over the last year, I’ve been lucky enough to interview some of the best writers on the planet for WritingRoutines.com. It was the opportunity of a lifetime to be able to ask Pulitzer Prize winners, #1 New York Times best-selling authors, brilliant novelists, talented journalists and expert communicators about how they practice their craft. I got valuable lessons from each one. I’ve collected a few of the best below, alongside some of the insights — or hacks as we call them today to get more people to click — from writers I wish were still alive to interview or ones I wish to interview someday if the opportunity presents itself.
I hope you learn as much from them as I did. Enjoy!
***

Devote Yourself to Someone Greater First

“If I am asked today to advise a young writer who has not yet made up his mind what way to go, I would try to persuade him to devote himself first to the work of someone greater, interpreting or translating him. If you are a beginner there is more security in such self-sacrifice than in your own creativity and nothing you ever do with all your heart is done in vain.”
Stefan Zweig, author of The World of Yesterday and in the 1920’s and 1930’s was one of the most popular authors in the world

Wake Up Early And Read, Read, Read

“I wake up around 5am. I have 2–3 cups of coffee. I read and read and read for two hours. I read high quality literary fiction to be inspired, high quality non-fiction about a topic I am fascinated by in order to learn, I read inspirational or spiritual writing to feel that special something inside, and often I will spend some time studying a game. Then I might read the literary fiction some more. At some point, I get the urge or the itch to put the books away. I go to my computer and start to write.”
James Altucher, author of Choose Yourself!, which the USA Today’s called one of “Best Business Books of All Time.”

Do Not Chase Exotic Locations to Write

“It was a time everyone was pressing wonderful houses on us. ‘I have a perfectly marvellous house for you to write in,’ they’d say. Of course no one needs marvellous houses to write in. I still knew that much. All you needed was one room. But somehow the next house always beckoned.”
Budd Schulberg, author of What Makes Sammy Run? and the Academy Award-winning screenplay for On the Waterfront

Edit Ten Times

“I repeatedly edit it many times, at least ten. I just keep on doing it, until I can’t think of further improvements. I can’t say that is a process in any formal sense, simply a recognition that the “process” to date hasn’t worked very well and so it must continue. I don’t pretend this is efficient.”
Tyler Cowen, economics professor, author of Average Is Over and contributor to the New York Times, Wall Street Journal, Newsweek and many other publications

Nobody Gets Talker’s Block

“No one ever gets talker’s block. No one wakes up in the morning, discovers he has nothing to say and sits quietly, for days or weeks, until the muse hits, until the moment is right, until all the craziness in his life has died down.”
Seth Godin, New York Times bestselling author of Purple Cow and more than 20 other books

Do the Three Passes of Editing

“[My editing] rests on three passes. The first pass is when you write the best chapter you can. The second pass comes later once the whole book (or whole part of the book containing the chapter) is done. During this pass, I come back to the chapter on my computer and cut and tighten. The final pass is when I read through a printed version of the chapter on paper. Reading on paper is necessary if you’re going to root out odd constructions or minor errors.”
Cal Newport, author of the Wall Street Journal bestseller Deep Work

The Only Way Out is Through

“The way out of this mess is through. A friend of mine who used to do long-distance running gave me some advice on dealing with pain as a writer. “What do you do about the cramps?” I asked. I was noticing they hit my in the gut usually at the three or four mile mark. I thought he’d have some great advice on how to avoid them altogether. In fact, I assumed this was the case. His answer surprised me, though. ‘Cramps? What do I do? I keep running, and eventually they go away. I run through the cramps.’ What do I do when I feel blocked? I write through the block.”
Jeff Goins, author of the Wall Street Journal bestseller Real Artists Don’t Starve

Sometimes You Just Need Some Good Earmuffs

“I’m an “absolute quiet” kind of person. If I’m writing at home, and there’s any noise at all, such as my wonderful hubby puttering around and coincidentally clearing his throat, I wear my Peltor Sport Ultimate 10 Hearing Protector Earmuffs. I’m so used to them that when I need to concentrate, I put them on even when there isn’t any noise. Earmuffs are like a signal to my brain — Okay, focus! On planes, I often wear noise canceling headphones.”
Dr. Barbara Oakley, bestselling author of A Mind for Numbers and former Army Captain

Be So Good They Can’t Ignore You

“What they want to hear is, ‘Here’s how you get an agent, here’s how you write a script’…but I always say, ‘Be so good they can’t ignore you.’”
Steve Martin, author of Born Standing Up: A Comic’s Life and award-winning actor and banjo player

Keep the Best in Mind

“It really depends on the genre of work I’m doing–I always try to keep models in mind, though the model will change depending on what I’m working on. For the book on Cato the Younger, Jimmy Soni and I were constantly referring to Tom Holland’s book on the Roman Republic, Rubicon; for our book on Claude Shannon, to James Gleick’s The Information and Sylvia Nasar’s A Beautiful Mind.For my academic work, people like Danielle Allen are great models.”

Quit Your Bitching

“Don’t lament so much about how your career is going to turn out. You don’t have a career. You have a life. Do the work. Keep the faith. Be true blue. You are a writer because you write. Keep writing and quit your bitching. Your book has a birthday. You don’t know what it is yet.”
Cheryl Strayed, author of the number #1 New York Times bestseller Wild and Tiny Beautiful Things

Fix The Important Things

“Writer’s block is miserable and part of it can be just being in a really bad place. Sometimes if you’re just in a bad mental place, it doesn’t matter what work you put in. You have to fix bigger things than your writing.”
Hari Kondabolu, the comic who the New York Times called “one of the most necessary political comedians working today.”

Get a Giant Sketchpad

“Notebooks have always been big for me, both in the early stages of a new project and as a way to get myself unstuck if I’m struggling. But I have giant, chicken-scratch handwriting, and would always end up jotting down thoughts over half a dozen pages and then never really looking at them again. I have probably fifty illegible notebooks sitting in desk drawers, and I would easily have filled fifty more had I not been introduced to the most elegant solution by a friend, the author Ashley Cardiff: A sketchpad. A 9-by-12-inch artist’s sketchpad. This has been my great revelation. It’s unlined so I can read my bad handwriting and large enough that I can group several ideas together on the same page. Plus, it gives me an excuse to buy fancy mechanical pencils.”
Liana Maeby, author of South on Highland, which actor/writer BJ Novak called “the kind of book kids will steal from each other.”

It’s All Material

“I’m never not working on material. Every second of my existence, I am thinking, ‘Can I do something with that?’” [By the way, this advice echoes a phrase I’ve learned from author Robert Greene, “It’s all material.” Meaning everything bad that happens, everything frustrating or delayed or disappointing — all of it can be fuel for a book. It can teach you something that helps you improve your business, it can become a story you pass along to a friend.]
Jerry Seinfeld, creator of Seinfeld and named by Comedy Central the “12th Greatest Stand-up Comedian of All Time.”

Understand How the Pieces Fit Together

“To write a clean and fluent piece of any kind, you have to understand how its various parts fit together — how a change here will affect something over there. With a short piece, you never lose sight of the whole because you can read and reread it many times as you work. That’s what I do. I make a change and then I read the whole piece to see how it works. But I can’t do that with a book, so I have to find other ways to stay oriented. I reread or skim sections of the book that I know relate to the part I’m working on, I keep notes about the larger structure, and I use Word’s phrase-search function to move around and check up on things. I also make a huge effort to commit as much of the book as I can to memory. It’s exhausting and it seems psychologically damaging in some way, but it helps me to understand when jokes need to be repeated, how much space needs to intervene between similar kinds of scenes, how ideas should be patterned, etc.”
Aaron Thier, author of Mr. Eternity and recipient of a literature fellowship from the National Endowment for the Arts

Run to Keep Yourself Sane

“The twin activities of running and writing keep the writer reasonably sane and with the hope, however illusory and temporary, of control.” [This is not unlike many other writers — including Murakami and Malcolm Gladwell — who use running as a coping mechanism.]
Joyce Carol Oates, author of over 40 novels, including Them, winner of the National Book Award

Before You Write, Crystallize Your Thinking

“If I’m just starting, I never consider the page blank. I’ve been writing in my head long before I sit down at the keyboard. In fact, I sometimes start inadvertently, by describing to someone what I’m doing. Conversation often crystallizes my own thinking far more effectively than solitary reflection. When I put the first words down, I know they’re likely to change, which I find liberating — no need to get it perfect the first time. But I want the first sentence to set a tone or indicate a theme for that chapter, so I have to start with a clear sense of the meaning of the events that follow, and how I want the reader to feel.”

Let the Play Accumulate

“Don’t start writing the play at once, but get a little notebook and put down everything you think about your play in the notebook, just as the ideas come to you without rhyme or reason especially. Let the play accumulate, as I call it; let it percolate and stew in your mind; and write down any ideas, bits of dialogue, descriptions, words — anything you think you might be able to use. Many of these things will come to you unconsciously while you are walking home from school, bathing, mowing the lawn; be sure to get them all into your notebook.”
E.P. Conkle, professor emeritus of drama whose plays have been produced on Broadway

Take the Necessary Medicine

“I tend to edit heavily and repeatedly as I go along, so I don’t make the distinction, at least by myself. For the books that I’ve written for a larger public, however, I’ve had the help of an immensely gifted editor (Alane Mason, at Norton), so there I do separate out the tasks: in effect my own writing/editing; and then a further editing after receiving her suggestions. I tend to hate the latter experience, though I recognize that it is almost invariably good — a bit like swallowing disagreeable but essential medicine.”
Stephen Greenblatt, author of The Swerve, a Pulitzer Prize and a National Book Award winner

To Beat Writer’s Block, Double Down on Research

“When I have writer’s block it is because I have not done enough research or I have not thought hard enough about the subject about which I’m writing. That’s a signal for me to go back to the archives or to go back into my thoughts and think through what it is I am supposed to be doing.”
— MacArthur “Genius” and Pulitzer Prize-winning historian Annette Gordon-Reed, author of The Hemingses of Monticello: An American Family

Always Ask These Questions

“What am I trying to say? What words will express it? What image or idiom will make it clearer? Is this image fresh enough to have an effect?” Then finish with these final two questions: ‘Could I put it more shortly? Have I said anything that is avoidably ugly?’”
George Orwell, famous author of 1984 and Animal Farm

You Don’t Need a Vomit Draft

“Writers are usually encouraged to write a “vomit draft” and just get something out, however terrible it is, in order to overcome The Fear, get some momentum, and move to more of an editing mindset, where’s it’s less scary to make progress. I don’t do that. I think that’s just a trick to try and lower the stakes so you can overcome procrastination and The Fear. And while it’s good for that, I think it’s bad in the long haul because you’re producing a lot of junk and that’s going to be hard to fully clean up. I treat writing a lot more like architecture. You wouldn’t work without a blueprint, construct a crappy building, then knock it down and build a better one. That would be ridiculous. You’d put together a really tight blueprint, then construct the building once, the right way, and if it needs tweaks, they’re relatively small. As the old saying goes: ‘Measure twice, cut once.’”
Eric Barker, author of the Wall Street Journal bestseller Barking Up The Wrong Tree and creator of the popular blog of the same name

Keep the Momentum

“Never stop when you are stuck. You may not be able to solve the problem, but turn aside and write something else. Do not stop altogether.”
— Jeanette Winterson, a two-time winner of the Lambda Literary Award and author best known for Oranges Are Not the Only Fruit, which was adapted into a BBC drama

You Don’t Need to be Kissed by a Muse

When asked if writing comes easy: “Haha, no, I’ve not been kissed by a muse. For me, writing is a craft that needs constant honing.”
Andrea Wulf, author of The Invention of Nature: Alexander von Humboldt’s New World, which won the Royal Society Science Book Award 2016 and the LA Times Book Prize 2016.

Write for the Ear

“I’ve got a theory that most writers are either frustrated musicians or painters — and which of them you are depends on whether you write for the ear or the eye. As a former musician and former speechwriter, I definitely write for the ear. I listen to music all the time for inspiration and energy. I tend to make playlists as the sound track for writing different books. They serve as snapshots in time. So, I’ve got one for Wingnuts — lots of The National, Drive-By-Truckers, Radiohead and Randy Newman — and one for Washington’s Farewell that’s more classical, jazz, the Americana series by Chris Thile, Yo-Yo Ma and Edgar Meyer and the soundtrack to Hamilton.”
John Avlon, author of Washington’s Farewell and editor-in-chief of The Daily Beast

Learn How to Take Brutally Frank Criticism

“I try to imagine comments, questions, and criticisms that the book will generate. Then I try to rehearse the reply or answer. My friends are great critics of my writing and I always make sure they have read the drafts and galleys and been brutally frank with me about their reactions. They know I can take it.”
Richard Clarke, former Assistant Secretary of State who has served under three different Presidents in different roles and author of Warnings: Finding Cassandras To Stop Catastrophes

Wake Up and Get After It

“I remember Salman Rushdie telling me how he gives it the first energy of the day. As soon as he gets up, he goes to his office and starts writing. He’s still in his pajamas. He believes there is a “little package of creative energy that was nourished by sleep,” and he doesn’t want to waste it. He works for an hour or two and then goes to brush his teeth. I have a very similar approach. Only I brush my teeth before I start. I guess that’s my pre-writing ritual.”
Cal Fussman, best known for the “What I’ve Learned” Esquire column and a master interviewer who has talked to the likes of Mikhail Gorbachev, Muhammad Ali, John Wooden, Richard Branson

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